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Pearson, Leslie. Philharmonia Orchestra. Simon, Geoffrey Tortelier, Yan Pascal. Composer: Respighi, Ottorino. Vetrate di chiesa Church Windows , P. Bach - Secular Cantatas. Stravinsky - Mavra; Rite of Spring. Mozart: Symphonies Mozart Symphonies 38 Through Handel - Concert grossi, Op. Handel: Concerti Grossi, Op. Handel - Organ Concertos Op 4. Symphony No. Beethoven - Symphony No 7. Beethoven Symphonies Nos. Beethoven Symphonies. Beethoven - Symphonies Nos 5 and 8. Beethoven: Symphonies Nos.
Villa-Lobos - Symphony No 10 'Amerindia'. Debussy: Complete Works for Piano, Vol. Debussy - Solo Piano Works, Vol 1. Richter - The Early Visits Debussy - Complete Preludes. Shostakovich, Liszt, Prokofiev: Piano Concertos. Busoni - Doktor Faust. Mussorgsky - Khovanshchina.
Monteverdi - Fire and Ashes. Roussel - Symphony No 3. Bartok: The Wooden Prince. Schumann: Symphony No. Vivaldi - Trio Sonatas Op. Vivaldi: Amor profano. Vivaldi - Arie Ritrovate. Vivaldi - Nisi Dominus; Stabat mater. Poulenc: Gloria. Klein: Chamber Music. Smetana: Complete Orchestral Works. Smetana - Complete Orchestral Works. Smetana, Blodek, Janacek, Suk, Dvorak - various orchestral compositions.
Sylvesterkonzert I heartily recommend it. Very satisfied with purchase. Format: Audio CD. Geoffrey Simon had already proven himself an insightful and perhaps even ideal champion of Respighi before the arrival of the disc at hand originally issued in , if I am not mistaken. Now, this is not the only recording available for either work, though they remain rare, and I cannot imagine a more compelling and convincing advocacy for them than this. The suite consists of four dances, two opulently meditative and atmospheric ones and two energetic ones, in turn martial and buoyant.
Instead of picking actual numbers from the ballet, however, Respighi opted to draw on several sequences to stitch together the movements perhaps the suspicion that we get all the highlights has prevented a revival of the whole work , but none of the numbers sound anything but convincingly coherent.
Stylistically I cannot imagine anyone who warms to Scheherazade and the Fountains of Rome could fail to be immensely enjoyed by this music - perhaps not Respighi's very greatest, but marvelously colorful, brilliant, imaginative and melodically memorable nonetheless. The Metamorphoseon also from was written for the 50th anniversary of the Boston Symphony Orchestra same occasion as Stravinsky's Symphony of Psalms.
It is a primarily a set of variations though as with Richard Strauss's work of almost the same title it is construed as a far-arching, systematic progress of transformation to a conclusion though it reminds one more of Elgar's Enigma Variations than Strauss's Metamorphosen. What is a little surprising is how formally impressive the work is; coherently argued, nicely contrasted, but of course with the spectacular scoring and array of nuances and moods that most listeners undoubtedly associate with the composer.
Still, the means are slightly more economic than in many of Respighi's works, partially I suppose as an effect of his love for plainchant being brought to bear. The heart of the work is the lengthy cadenza in which each instruments receive a chance to shine and the Philharmonia members truly rise to the task , but the joyful finale actually achieves a convincing conclusion to a very appealing, imaginative and rewarding work.
The performances are, as already hinted at, superb. The textures produced by the Philharmonia Orchestra are rich, lush, and deep, yet clear; they achieve plenty of color, flair, power and momentum and capture the moments of rapturous beauty and intensely evocative atmosphere perfectly.
The sound is really outstanding as well, and all in all this is a major addition to the catalogue, recommended without any serious reservations. There are few CDs that I have enjoyed more than this one. Belkis, Queen of Sheba is an exotic ballet 80 minutes in length that tells the story of the journey of the Queen to the court of King Solomon.
Respighi used a huge orchestra with instruments as the sitar and wind-machines. The music perhaps is bombastic, particularly the War Dance but there are moments of exceptional beauty as in the Dance of Belkis at Dawn, where the Queen dances in honor of the newly risen Sun.
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