Leonard Cohen - Songs From A Room

There were no telephone wires. There were no telephones. There was no electricity. So at a certain point they put in these telephone poles, and you wouldn't notice them now, but when they first went up, it was about all I did - stare out the window at these telephone wires and think how civilization had caught up with me and I wasn't going to be able to escape after all. I wasn't going to be able to live this 11th-century life that I thought I had found for myself.

So that was the beginning. Then, of course, I noticed that birds came to the wires and that was how that song began. Where drinkers, me included, would come up the stairs. There was great tolerance among the people for that because it could be in the middle of the night. You'd see three guys with their arms around each other, stumbling up the stairs and singing these impeccable thirds.

So that image came from the island: 'Like a drunk in a midnight choir. In , Cohen explained to John McKenna of RTE Ireland that "Story of Isaac" was an anti-war protest song but added, "I was careful in that song to try and put it beyond the pure, beyond the simple, anti-war protest, that it also is.

Because it says at the end there the man of war the man of peace, the peacock spreads his deadly fan. In other words it isn't necessarily for war that we're willing to sacrifice each other. We'll get some idea — some magnificent idea — that we're willing to sacrifice each other for; it doesn't necessarily have to involve an opponent or an ideology, but human beings being what they are we're always going to set up people to die for some absurd situation that we define as important.

I think that the world throws up certain kinds of figures. Sometime in abundance, sometimes very rarely, and that some of these figures act as archetypes or prototypes for another generation which will manifest these characteristics a lot more easily, maybe a lot more gracefully, but not a lot more heroically.

Another twenty years later she would have been just like you know, the hippest girl on the block. But twenty years before she was - there was no reference to her, so in a certain way she was doomed. In sheet music for the album, a song titled "Priests" was included, and although reportedly recorded, it didn't appear on the LP or on any subsequent Cohen record. Havens, I love Leonard Cohn and have most of his works. Was missing this album and did not disappoint! More great music from L Cohen.

One of the greatest song writers in my opinion. See all 40 customer reviews. Write a customer review. Customers who bought this item also bought. I'm Your Man. Thanks for the Dance. There's a problem loading this menu right now.

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DPReview Digital Photography. East Dane Designer Men's Fashion. Shopbop Designer Fashion Brands. Deals and Shenanigans. Ring Smart Home Security Systems. PillPack Pharmacy Simplified. I guess it was the best way to look while playing the guitar, or maybe it was just where the chair was. But I was very comfortable looking at myself playing. Writing for Mojo in , Sylvie Simmons recalls, "When Leonard heard the result, he was not happy; the orchestration on 'Suzanne' was overblown, while everything about 'Hey, That's No Way to Say Goodbye' felt too soft.

Several tracks had too much bottom, and there were even drums; Leonard had clearly stipulated no drums. According to biographer Ira Nadel, although Cohen was able to make changes to the mix, some of Simon's additions "couldn't be removed from the four-track master tape". The instrumentalists — not credited on the album sleeve — included Chester Crill, Chris Darrow, Solomon Feldthouse and David Lindley of Kaleidoscope , who had been recruited personally by Cohen after he saw the band play at a New York club.

The album features some of Cohen's most celebrated songs. Mojo has described the album as "not only the cornerstone of Cohen's remarkable career, but also a genuine songwriting landmark in terms of language, thematic developments and even arrangements.

I wrote most of it in Montreal - all of it in Montreal - over the space of, perhaps, four or five months.

I had many, many verses to it. I remember sitting on that bench, working out the lyric to that song. There were two young back-packers there, Barbara and Lorraine, and they had nowhere to go. I asked them back to my hotel room — they immediately got into the bed and crashed while I sat in the armchair watching them sleep.

I knew they had given me something, and, by the time they woke up, I had finished the song and I played it to them. One was the Chelsea and the other was the Penn Terminal Hotel. By the time the album was released in December , Cohen had already signed away the rights to "Suzanne" and "Stranger Song" along with "Dress Rehearsal Rag," which would later surface on his album Songs of Love and Hate , to arranger Jeff Chase, with the singer lamenting to Adrian Deevoy of The Q Magazine in , "Someone smarter than me got me to sign the publishing over to them.

On the back cover of the album is a Mexican religious picture of the Anima Sola depicted as a woman breaking free of her chains surrounded by flames and gazing towards heaven. In a Rolling Stone interview, Cohen described the image as "the triumph of the spirit over matter. The spirit being that beautiful woman breaking out of the chains and the fire and prison. The album spent over a year on the album charts. Critics have been far kinder to the album since its release, with many considering it a highlight in the Cohen canon.

Mark Deming of AllMusic states, "The ten songs on Songs of Leonard Cohen were certainly beautifully constructed, artful in a way few if any other lyricists would approach for some time, but what's most striking about these songs isn't Cohen's technique, superb as it is, so much as his portraits of a world dominated by love and lust, rage and need, compassion and betrayal Story Of Isaac.

A Bunch Of Lonesome Heros. Seems So Long Ago, Nancy. The Old Revolution. The Butcher. You Know Who I Am. Lady Midnight. Tonight Will Be Fine.

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Nov 05,  · View credits, reviews, tracks and shop for the Vinyl release of Songs From A Room on Discogs/5().

6 thoughts on “Leonard Cohen - Songs From A Room

  1. Ultimately, the songs on this album do not have as long a lasting appeal as those on Cohen's debut; bar a few songs, the album grows stale over time. Nonetheless, Songs From A Room is a good album, and is good album for those new to Cohen to listen to after becoming familiar with the debut.4/5.
  2. Sep 20,  · View credits, reviews, tracks and shop for the Vinyl release of Songs From A Room on Discogs/5().
  3. Nov 29,  · "I choose the rooms that I live in with care / The windows are small and the walls almost bare," Leonard Cohen sings in a particularly telling couplet in "Tonight Will Be Fine," one of the highlights in this aptly titled album from /5(25).
  4. Leonard Cohen's first album was an unqualified triumph which announced the arrival of a bold and singular talent, and many who heard it must have wondered what Cohen could do for an encore. By comparison, Cohen's second album, 's Songs from a Room, was something of a letdown.8/
  5. Get all the lyrics to songs on Songs from a Room and join the Genius community of music scholars to learn the meaning behind the lyrics.
  6. View credits, reviews, tracks and shop for the CD release of Songs From A Room on Discogs/5(44).

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